Wrote and directed COME TO LEAVE, a play anthologized in Smith & Kraus' Best Play of 1994. A college senior struggles with her impending graduation, because of the loss of her father, her freshman year. From The New York Times: "… that so many levels of thought can be conveyed in so few words testifies to great skill…" From "…chanting the words “meaning” and “me” repeatedly–a game that goes some distance to thoughtfully connect the two."

Directed a world premiere of PICKLING by Pulitzer Prize winner, Suzan-Lori Parks. A woman who lost her mother, unpacks her memories in pickling jars and poetry. From The New York Times: "…a blinding moment of elation so unexpected it makes you want to yell and many people in the theater do." Produced by Lincoln Center Directors Lab with five invited remounts including at Joe’s Pub at The NYSF Public Theater.

Directed PRESIDENTS DAY SALE, by Pulitzer Prize winner Suzan-Lori Parks, produced at Joe’s Pub at The NYSF Festival Public Theater. One play in Park’s 365 Plays in 365 Days, about a day that six American presidents (including one puppet) are, well, for sale.

Directed SQUARE ONE by Academy Award winner Steve Tesich, an international multi-media production at The Edinburgh Fringe Festival. It is a satiric romance set in a soulless projected post-apocalyptic world, where love is too imperfect to survive. From "… the digitally projected set creates an uneasy backdrop of perfection."

Directed LAY ME DOWN by Eric Winick and Steve Thirolle, with live 5 piece band, based on the tumultuous marriage of musicians, Richard & Linda Thompson. From “It raises the bar in terms of downtown theater… fluidly directed by Allison Eve Zell.”

Directed INSIGNIFICANCE by Terry Johnson, an imaginary encounter between Marilyn Monroe, played by Judy Greer ( and Albert Einstein. Produced at Victory Gardens Theatre in Chicago.

Directed THE BACCHAE by Euripides (translated by C.K. Williams), featuring Alicia Goranson, on left ( Produced in Vassar’s Powerhouse Theater.